|
|
Main menu for Browse IS/STAG
Course info
KIV / MHS
:
Course description
Department/Unit / Abbreviation
|
KIV
/
MHS
|
Academic Year
|
2023/2024
|
Academic Year
|
2023/2024
|
Title
|
Multimedia and Hypermedia Systems
|
Form of course completion
|
Exam
|
Form of course completion
|
Exam
|
Accredited / Credits
|
Yes,
6
Cred.
|
Type of completion
|
Combined
|
Type of completion
|
Combined
|
Time requirements
|
Lecture
3
[Hours/Week]
Tutorial
2
[Hours/Week]
|
Course credit prior to examination
|
Yes
|
Course credit prior to examination
|
Yes
|
Automatic acceptance of credit before examination
|
No
|
Included in study average
|
YES
|
Language of instruction
|
Czech
|
Occ/max
|
|
|
|
Automatic acceptance of credit before examination
|
No
|
Summer semester
|
0 / -
|
0 / -
|
3 / -
|
Included in study average
|
YES
|
Winter semester
|
0 / -
|
0 / -
|
0 / -
|
Repeated registration
|
NO
|
Repeated registration
|
NO
|
Timetable
|
Yes
|
Semester taught
|
Winter + Summer
|
Semester taught
|
Winter + Summer
|
Minimum (B + C) students
|
10
|
Optional course |
Yes
|
Optional course
|
Yes
|
Language of instruction
|
Czech
|
Internship duration
|
0
|
No. of hours of on-premise lessons |
|
Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
|
Evaluation scale for credit before examination |
S|N |
Periodicita upřesnění |
|
Fundamental theoretical course |
No
|
Fundamental course |
No
|
Fundamental theoretical course |
No
|
Evaluation scale |
1|2|3|4 |
Evaluation scale for credit before examination |
S|N |
Substituted course
|
None
|
Preclusive courses
|
N/A
|
Prerequisite courses
|
N/A
|
Informally recommended courses
|
N/A
|
Courses depending on this Course
|
KIV/ZOM
|
Histogram of students' grades over the years:
Graphic PNG
,
XLS
|
Course objectives:
|
To make students acquainted with technical aspects of image, sound, video, and multimedia.
|
Requirements on student
|
Elaboration of technical multimedia project, rating at least 50%.
Due to the continuous updating of the course, in order to obtain credit when re-enrolling the course (see SZŘ Article 24, paragraph 3), the consent of the guarantor of the course is required.
Notice:
The dates and form of verification of compliance with the requirements may be adjusted with regard to the measures announced in connection with the development of the epidemiological situation in the Czech Republic.
|
Content
|
1. Video as an example of a multimedia project: screenplay, shooting preparation, editing, postprocessing, sound design, archiving, distribution, display.
2. Multimedia: contents, classification. Introduction to multimedia standards, MPEG standards. Copyright law.
3. Sound: definition, basic properties (loudness, pitch, timbre), psychoacoustics. Frequency analysis. Recording chain, sound reproduction and recording.
4. Sound: overview of mixing process. Introduction to digital signal processing, discrete Fourier transform, FIR filters. Equalization, dynamic processors, DDL based effects, reverberation.
5. Sound: analogue vs. digital. Multichannel audio storage. MIDI. Sampling, aliasing, quantization, dithering. Lossless audio compression - decorrelation, entropy coding. Principles of lossy audio compression - (A)DPCM, subband, transform coding. Examples (MPEG-1 Audio Layer I-II-III etc.)
6. Image: camera-display chain. Cameras, sensor size. Photometry. Exposure. Lenses, focal length, depth of field, photographic filters. Artificial scene illumination.
7. Image: still and moving picture digitalization. Aspect ratio - history, standards, conversion. Frame rate - psychovisual aspects, motion perception, flickering, interlacing, standards, conversion.
8. Image: resolution - psychovisual aspects, standards (TV, motion picture, photography), sampling and reconstruction.
9. Image: luminance quantization, imaging chain, system gamma. Digital colour, matrixing, colour spaces, chroma subsampling.
10. Static image storage and compression. Image file format structure. Raw camera data. Lossless compression methods - RLE, dictionary, arithmetic coding. DCT based methods, JPEG. DWT based methods, EZW algorithm. Current trends in image compression.
11. Video compression principles. Requirements, overview of techniques. Intra coding, bitrate control. Inter coding, coder-decoder connection, motion compensation, GOP. Overview of standards: MPEG-2, MPEG-4 AVC, VC-1, WebM / VP9, DNxHD, HEVC.
12. Multimedia distribution. Historic context. Building blocks: elementary strems, time multiplex, playlist. Multimedia data processing overview. Container structures. Multimedia distribution over internet. Multimedia support in operating systems.
13. Displays. Current and historic display technologies. Projectors.
|
Activities
|
|
Fields of study
|
|
Guarantors and lecturers
|
|
Literature
|
-
Basic:
Smith, Steven W. Digital signal processing : a practical guide for engineers and scientists. Amsterdam : Newnes, 2003. ISBN 0-7506-7444-X.
-
Basic:
Poynton, Charles. Digital video and HDTV algorithms and interfaces. San Francisco : Morgan Kaufmann Publishers, 2003. ISBN 1-55860-792-7.
-
Basic:
Drew, Mark S. Fundamentals of multimedia. Upper Saddle River : Pearson Prentice Hall, 2004. ISBN 0-13-061872-1.
-
Basic:
LOWE, David - HALL, Wendy. Hypermedia & the Web : an engineering approach. Chichester : John Wiley & Sons, 1999. ISBN 0-471-98312-8.
-
Basic:
Pihan, Roman. Mistrovství práce s DSLR : vše, co jste chtěli vědět o digitální zrcadlovce a nikdo vám to neuměl vysvětlit. Vyd. 1. Praha : Institut digitální fotografie, 2006. ISBN 80-903210-8-9.
-
Basic:
VLACHÝ, Václav. Praxe zvukové techniky. 2. aktualiz. vyd. Praha : Muzikus, 2000. ISBN 80-86253-05-8.
-
Basic:
Watkinson, John. The art of digital audio. Oxford : Focal Press, 2001. ISBN 0-240-51587-0.
-
Basic:
Mašek, Jan. Základy tvorby audiovizuálního pořadu a fotografie. Plzeň : Západočeská univerzita, 2000. ISBN 80-7082-608-8.
-
Extending:
Brandenburg, Karlheinz; Kahrs, Mark. Applications of digital signal processing to audio and acoustics. Boston : Kluwer Academic Publishers, 1998. ISBN 0-7923-8130-0.
-
Extending:
WYSZECKI, Günther - STILES, W. S. Color science: concepts and methods, quantitative data and formulae.. New York: Wiley, 2000. ISBN 0-471-39918-3.
-
Extending:
Kang, Henry R. Color technology for electronic imaging devices. Bellingham : SPIE Optical Engineering Press, 1997. ISBN 0-8194-2108-1.
-
Extending:
Everest, F. Alton. Critical listening skills for audio professionals. Boston : Thomson, 2007. ISBN 978-1-59863-023-7.
-
Extending:
Birn, Jeremy; Maestri, George. Digital lighting and rendering. Indianapolis : New Riders, 2000. ISBN 1-56205-954-8.
-
Extending:
LaBarge, Ralph. DVD authoring & production. Lawrence : CMP Books, 2001. ISBN 1-57820-082-2.
-
Extending:
MOULTON, David. Golden ears the revolutionary CD-based audio eartraining course for musicians, engineers and producers. Sherman Oaks : KIQ Productions, 1995.
-
Extending:
Bosi, Marina; Goldberg, Richard E. Introduction to digital audio coding and standards. Berlin : Springer, 2003. ISBN 1-4020-7357-7.
-
Extending:
TAUBMAN, David S. - MARCELIN, Michael W. JPEG2000: Image compression fundamentals, standards and practice. New York: Springer, 2002. ISBN 0-7923-7519-X.
-
Extending:
Hunt, R. W. G. Measuring colour. 3rd ed. Kingston-upon-Thames : Fountain Press, 1998. ISBN 0-86343-387-1.
-
Extending:
Huber, David Miles; Runstein, Robert E. Modern recording techniques. 6th ed. Amsterdam : Elsevier, 2005. ISBN 0-240-80625-5.
-
Extending:
Alton, John. Painting with light. Berkeley : University of California Press, 1995. ISBN 0-520-08949-9.
-
Extending:
Owsinski, Bobby. The mixing engineer's handbook. 2nd ed. Boston : Thomson Course Technology, 2006. ISBN 1-59863-251-5.
-
Extending:
Hunt, R. W. G. The reproduction of colour. 6th ed. Chichester : John Wiley & Sons, 2004. ISBN 0-470-02425-9.
-
Extending:
HANZO, Lajos - CHERRIMAN, Peter J. - STREIT, Jeurgen. Video compression and communications: from basics to H.261, H.263, H.264, MPEG2, MPEG4 for DVB and HSDPA-style adaptive turbo-transceivers. Chichester: J. Wiley & Sons, 2007. ISBN 978-0-470-51849-6.
-
Extending:
Bláha, Ivo. Zvuková dramaturgie audiovizuálního díla. 2., dopl. vyd. Praha : Akademie múzických umění, 2006. ISBN 80-7331-010-4.
-
Recommended:
Jan, Jiří. Číslicová filtrace, analýza a restaurace signálů. 2., upr. a rozš. vyd. V Brně : VUTIUM, 2002. ISBN 80-214-1558-4.
-
Recommended:
Taylor, Jim; Johnson, Mark R.; Crawford, Charles G. DVD demystified. 3rd ed. New York : McGraw-Hill, 2006. ISBN 0-07-142396-6.
-
Recommended:
Manjunath, B. S.; Salembier, P.; Sikora, Thomas. Introduction to MPEG-7 : multimedia content description interface. Chichester : Wiley, 2002. ISBN 0471486787.
-
Recommended:
Katz, Bob. Mastering audio : the art and the science. Oxford : Focal Press, 2002. ISBN 0-240-80545-3.
-
Recommended:
Huber, David Miles; Williams, Philip. Professional microphone techniques. Vallejo : MixBooks, 1998. ISBN 0-87288-685-9.
-
Recommended:
Newell, Philip. Recording studio design. 1st pub. Boston : Focal Press, 2003. ISBN 0-240-51917-5.
-
Recommended:
Kučera, Jan. Střihová skladba ve filmu a v televizi. 2. dopl. vyd. Praha : Akademie múzických umění, 2002. ISBN 80-7331-896-2.
-
Recommended:
Vít, Vladimír. Televizní technika : přenosové barevné soustavy. Praha : BEN, 1997. ISBN 80-86056-04-X.
-
Recommended:
Watkinson, John. The art of digital video. 3rd ed. Oxford : Focal Press, 2000. ISBN 0-240-51586-2.
-
Recommended:
Gibson, David. The art of mixing : a visual guide to recording, engineering, and production. 2nd ed. Boston : Thomson Course Technology, 2005. ISBN 1-93114-045-6.
-
Recommended:
Watkinson, John. The MPEG handbook : MPEG-1, MPEG-2, MPEG-4. 2nd ed. Amsterdam : Elsevier, 2004. ISBN 0-240-80578-X.
-
Recommended:
Owsinski, Bobby. The recording engineer's handbook. [S.l.] : Artistpro Publishing, 2005. ISBN 1-93292-900-2.
-
Recommended:
Reisz, Karel; Millar, Gavin. The technique of film editing. 2nd ed. Amsterdam : Focal Press, 2002. ISBN 0-240-51437-8.
-
Recommended:
Jack, Keith. Video demystified : a handbook for the digital engineer. 5th ed. Amsterdam : Elsevier, 2007. ISBN 978-0-7506-8395-1.
-
On-line library catalogues
|
Time requirements
|
All forms of study
|
Activities
|
Time requirements for activity [h]
|
Contact hours
|
65
|
Preparation for an examination (30-60)
|
50
|
Individual project (40)
|
40
|
Total
|
155
|
|
Prerequisites
|
Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
understand formal mathematical notations (mathematical analysis, linear algebra) |
understand notation of algorithms in common programming language or pseudocode |
read professional texts in English (e.g. program manuals) |
describe the basic physical behavior of light and sound |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
use the apparatus of mathematical analysis and linear algebra |
implement non-trivial algorithms in a common programming language |
user control the PC |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
|
Learning outcomes
|
Knowledge - knowledge resulting from the course: |
from the area of acquisition, editing and archiving of audio recordings |
from the field of acquisition, editing and archiving of image and video recordings |
from the field of computer processing of multimedia data |
from understanding the connections between individual areas |
Skills - skills resulting from the course: |
clearly describe the methods of acquisition, processing and archiving of multimedia data |
propose a suitable method of acquisition, digitization, processing and archiving of multimedia data |
apply theoretical knowledge to practical solutions to selected problems |
Competences - competences resulting from the course: |
N/A |
N/A |
N/A |
|
Assessment methods
|
Knowledge - knowledge achieved by taking this course are verified by the following means: |
Combined exam |
Project |
Skills - skills achieved by taking this course are verified by the following means: |
Combined exam |
Project |
Competences - competence achieved by taking this course are verified by the following means: |
Oral exam |
|
Teaching methods
|
Knowledge - the following training methods are used to achieve the required knowledge: |
Lecture |
Lecture with visual aids |
Individual study |
Seminar |
Students' portfolio |
One-to-One tutorial |
Skills - the following training methods are used to achieve the required skills: |
Seminar |
Laboratory work |
Project-based instruction |
Students' portfolio |
Competences - the following training methods are used to achieve the required competences: |
Lecture supplemented with a discussion |
Seminar |
Students' portfolio |
|
|
|
|